Philadelphia, PA

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Laurie Reid

b. Minneapolis, MN, 1964
Lives and works in San Francisco

Education

1996 MFA, Painting and Drawing, with Distinction, California College of Arts and Crafts, Oakland, CA
1983-86 BA, French Literature, with Honors, Reed College, Portland, OR
1984-85 Universite de Strausbourg, Strausbourg, France. Diplome d'Etudes Superieures

Selected Solo Exhibitions

2008
Laurie Reid: New Monotype Installation, Aurobora Press, San Francisco, CA
Laurie Reid, Project: Crushed Glass, Stephen Wirtz Gallery, San Francisco, CA
2007
SPEECHLESS/RUSTLE, Stephen Wirtz Gallery, San Francisco, CA
New Work, Gallery Joe, Philadelphia PA
Psyche! Reid and Roderiguez, Berkeley Art Museum, Berkeley, CA
New Work, Pulliam Deffenbaugh Gallery, Portland, OR
Sept: New Work, Stephen Wirtz Gallery, San Francisco, CA
2006
New Work, OSP Gallery, Boston, MA
2005
One Eye Close to the Ground, One Eye Rambling all Around, Stephen Wirtz Gallery, San Francisco, CA
Liquid Space, Kiang Gallery, Atlanta, GA
Large Work, Bentley Gallery, Phoenix, AZ
2004
Fancy, Mills College Art Museum, Oakland, CA
New Work, OSP Gallery, Boston, MA
New Work, Pulliam Deffenbaughh Gallery, Portland, OR
2003
New Work, Pulliam Deffenbaughh Gallery, Portland, OR
New Work, James Harris Gallery, Seattle, WA
2002
Vivid, Stephen Wirtz Gallery, San Francisco, CA
New Work, The Kiang Gallery, Atlanta, GA
2001
New Work, Stephen Wirtz Gallery, San Francisco, CA
Print Publisher Spotlight: Crown Point Press: Laurie Reid & Sol Lewitt, Barbara Krakow Gallery, Boston, MA
James Harris Gallery, Seattle, WA
Crown Point Press, San Francisco, CA
1999
Water and Paper, Stephen Wirtz Gallery, San Francisco, CA
1997
Stephen Wirtz Gallery, San Francisco, CA
1996
Weintraub Thomas Gallery, Sacramento, CA

Selected Group Exhibitions

2007
Contemporary Art on Paper, Philadelphia Museum of Art, Philadelphia, PA
OCT: CCA Celebrates 100, Oakland Museum of Art, Oakland, CA
2006
Gridlock, Gallery Joe, Philadelphia, PA
2005
water color: current views, Gallery Joe, Philadelphia, PA
The Unexpected Watercolor, Marylhurt College, Portland, OR
2004
Accrescere, Gallery Joe, Philadelphia, PA
California North & South, Crown Point Press, San Francisco, CA
Barry Whistler Gallery, Houston, TX
Infinite Possibilities, Davis Museum and Cultural Center, Wellesley College, Wellesley, MA
2003
Emerging 2003, ACRIA benefit, Matthew Marks Gallery, New York
In The Making: Contemporary Drawings from a Private Collection, University Gallery, Fine Arts Center, University of Massachusetts Amherst, Amherst, MA
New Work by Selected Artists, Kiang Gallery, Atlanta, GA
The Fall Line, OSP Gallery, Boston, MA
2002
The 25th Anniversary Show, The Drawing Center, New York, NY
Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois, Urbana-Champaign, IL
Waves, The Workspace, New York, NY
Watercolor: In the Abstract, traveling exhibition, Art Gallery, SUNY Fredonia, NY; The Walton Arts Center, Fayetteville, NC
Fast Forward, Berkley Art Museum, Berkley CA
Recent Acquisitions of Contemporary California Works on Paper, California palace of the Legion of Honor, San Francisco, CA
Visual Alchemy, Oakland Art Gallery, Oakland, CA
2001
Marked: Bay Area Drawings, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, NY
Watercolor: In the Abstract, traveling exhibition, The Hyde Collection, Glen Falls, NY
2000-2001
James Harris Gallery, Seattle, WA
In Between the Lines, The Kiang Gallery, Atlanta, GA
Current Holdings: Bay Area Collections, Palo Alto Cultural Center, CA
2000
2000 Biennial Exhibition, Whitney Museum of American Art, New York, NY
Art on Paper 2000, Weatherspoon Art Gallery,Greensboro, NC
Juvenilia, Yerba Buena Center for the Arts, San Francisco, CA
BIG, Weinstein Gallery, Minneapolis, MN
1999
SECA Art Award Exhibition, San Francisco Museum of Modern Art, San Francisco, CA
1999 Biennial Exhibition, Orange County Museum of Art, Newport Beach, CA
Barbara Davis Gallery, Houston, TX
Recent Works by Alumni, Oliver Art Center, Oakland, CA
1998
Images and Ideas: The Collection in Focus, Berkley Art Museum, Berkley, CA
Works On Paper, Stephen Wirtz Gallery, San Francisco, CA
Undercurrents and Overtones, The Oliver Art Center, Oakland, CA
Doors, Walls, Windows, Berkley Art Museum, Berkley, CA
Paper Thin, Stephen Wirtz Gallery, San Francisco, CA
In Over Our Heads: The Image of Water in Contemporary Art, The San Jose Museum of Art, San Jose, CA
Masterworks on Paper from the Collection of George Hopper Fitch, The M.H. de Young Memorial Museum, Fine Arts Museums of San Francisco, San Francisco, CA
1997
Bay Area Now, Center for the Arts at Yerba Buena Gardens, San Francisco, CA (catalogue)
Paper, J. Crist Gallery, Boise, ID
Grammercy Hotel Art Fair, Drawing Center, New York, NY
Touch, Southern Exposure, San Francisco, CA
12 By 12, Weintraub Thomas Gallery, Sacramento, CA
1996
Selections Fall 1996, The Drawing Center, New York, NY
Joyce Burstein, Leonie Guyer, Laurie Reid, Kathryn Van Dyke, Push Artspace, San Francisco, CA
Newances, Stephen Wirtz Gallery, San Francisco, CA
New American Talent, Austin Museum of Art, Austin, TX
Wallpapers, MFA Exhibition, Oliver Art Center, California College of Arts and Crafts, Oakland, CA
Room for Whatever Almost Is, Door Three Gallery, Oakland, CA
1995
Introductions 1995, Stephen Wirtz Gallery, San Francisco, CA
North American Works, (First Prize) Conrad Atkinson, Margaret Harrison, jurors, Matrix Gallery, Sacramento, CA
Bay Arts 1995, Renny Pritikin, juror, San Mateo County Arts Council, Belmont, CA
Parkside national Small Print Exhibition, University of Wisconsin – Parkside, Kenosha, WI
Works on Paper '95, Marion Parmenter, juror, Koret Center, Palo Alto, CA
1994
Paper in Particular, the 15th Annual Art Exhibition, Columbia College, Columbia, MO
1993
Miniatures, Gallery Route One, Pt. Reyes, CA

Honors and Awards

1998
Society for the Encouragement of Contemporary Art, SECA award, San Francisco Museum of Modern Art
1995
Cadogan Fellowship Recipient, Awarded by the San Francisco Foundation

Bibliography

2006
Newhall, Edith. “Gridlock minus road rage.�? The Philadelphia Inquirer, July 7, 2006

2005
Cullum, Jerry. “Visual Arts: Object Lessons,�? The Atlanta Journal-Constitution, May 15, 2005
Baker, Kenneth. The San Francisco Chronicle

2004
Blake, Victoria. “Artist emphasizes water in watercolors,�? The Oregonian, October 27.
Boulanger, Susan. “Infinite Possibilities: Serial Imagery in Twentieth Century Drawings.�? Art on Paper, November/December 2004.
DeLuca, Andie. “’Laurie Reid: New Paintings’ at Pulliam –Deffenbaugh Gallery,�? Artweek, Dec04/Jan 05.
Feldman, Melissa. “Laurie Reid,�? Art in America, November 2004.
McQuaid, Kate. “Finding fascination in blots, splats, bubbles, and shimmer,�?
Boston Globe, May 14.
2003
Hachett, Regina. “A New Breed of Abstract Artists is Staking Out Personal Space,�? Seattle Post-Intelligencer, February 14.
Hall, Emily. “Dot, Dot, Dot: The Secret Life of Circles,�? The Stranger, February 20.
Henderson, Harvest. “Sinuous, Slithering Hues,�? The Oregonian, Aug 1, 2003
McQuaid, Kate. “Meticulous Meditations on the Abstract,�? The Boston Globe, January 3.
Sherman, Mary. “Open Studio Press Tries New ‘Line’ of Work,�? Boston Herald, January 12.
2002
Baker, Kenneth. “Laurie Reid at Wirtz,�? San Francisco Chronicle, October 19.
Baker, Kenneth. “Brad Brown, Gay Outlaw, Laurie Reid, “ ARTnews, pp.124-125.
Cash, Stephanie. “Report From San Francisco: Surviving and Thriving,�? Art in America, November, pp. 58-69.
Everett, Deborah, Marked: Bay Area Drawings,�? zingmagazine: A Curatorial Crossong, Autumn 2002
Helfand, Glen. “Laurie Reid: Stephen Wirtz Gallery, San Francisco,�? Art on Paper, p.93.
2001
Baker, Kenneth. “Brown, Outlaw and Reid at Crown Point,�? San Francisco Chronicle Datebook, September 15, p.D2.
Fox, Catherine. “The Eloquence of Line,�? The Atlanta Journal-Constitution, July 27, 2001
Tromble, Meredith. “Watermark,�? 7x7 San Francisco, September, p.40.
2000
“The Max Factor: Whitney Biennial 2000,�? Artforum, March, pp.110-117.
“Artists Selected for the 2000 Biennial,�? The New York Times, December 8, p.B5.
Cohen, Terri. “Labryinthine: Painting Reinterpreted,�? Artweek, April, pp.17-18.
Hamlin, Jesse. “10 Bay Area Artists Chosen for Biennial,�? San Francisco Chronicle, January 18.
Rubinstein, Raphael. “Regional Hopes & Recycled Tropes,�? Art in America, July, p.39.
Siegel, Katy. “Biennial 2000,�? ArtForum, May.
1999
Bonetti, David. “Four deserving artists honored,�? San Francisco Examiner, February 10, pp.C1- C2.
Curtis, Cathy. “Formal Boundaries Take Some Life From ‘Biennial,�? Los Angeles Times, March 2, p.F12.
Dubin, Zan. “What It’s All About,�? Los Angeles Times, February 6, pp.F2, F22.
Hoving, Thomas. “My Eye,�? arnet.com Magazine Features, April 19.
Kersten, Karen. “Gay Outlaw and Laurie Reid: SFMOMA, San Francisco, CA.�? zingmagazine
Thym, Jolene. “Artist finds her wrinkle with watercolors on paper,�? The Oakland Tribune, January 26, pp.CUE-1-CUE-5.
Whiting, Sam. “Underexposed Artists in the Spotlight,�? San Francisco Sunday Examiner & Chronicle Datebook, February 28, pp.32-33.
1998
Baker, Kenneth. “Art of Abstraction Is in the Details: ‘Undercurrents and Overtones’ defends style,�? San Francisco Chronicle, October 22, pp.E1, E6.
Bonetti, David. “Abstraction is back,�? San Francisco Examiner, October 22 Bonansinga, Kate. “SECA selects award winners,�? Artweek, November, Volume 29, Issue 11, p.2.
Bonansinga, Kate. “Gerbode museum purchase awards announced,�? Artweek, November, Volume 29, Issue 11, p.2.
Scherr, Apollinaire. “Hide & SECA,�? San Francisco Metropolitan, December 21, Volume 2, No.22, pp.34-35.
1997
Baker, Kenneth. “Ulrike Palmbach, Laurie Reid at Stephen Wirtz,�? ARTnews, December.
Baker, Kenneth. “Quick-Draw Artists and Tender Hearts,�? San Francisco Chronicle, June 13.
Schnoor, Chris. “Performance on Paper,�? 3 Syllables, Issue #8, June.
1996
McClure, Lissa. “Selections Fall ‘96: Ignasi Aballi, Ginny Bishton, Caryl Davis & Laurie Reid,�? Review Art, October 15, p.24.
Roche, Harry. “Untitled,�? San Francisco Bay Guardian, Volume 31, No.10, December 4-10.

Catalogues

2004
Infinite Possibilities: Serial Imagery in 20th Century Drawings

2002
Drawings of Choice From a New York Collection, Krannert Art Museum, University of Illinois, Urbana- Champaign, IL

2000
2000 Biennial Exhibition catalogue published by The Whitney Museum of American Art on the occasion of “2000 Biennial Exhibition,�? March 23-June 4.

1999
1999 Biennial Catalogue published by The Orange County Museum of Art in conjunction with the exhibition “1999 Biennial.�?

1998
1998 SECA Art Award Catalogue published by the San Francisco Museum of Art in conjunction with the exhibition “SECA Art Award 1998: Chris Finley, Gay Outlaw, Laurie Reid, Rigo 98.�?

Publications

2000 Symbiosis, in collaboration with Barbara Guest, published by Kelsey St. Press

Public Collections

Arkansas Arts Center
Berkeley Art Museum
Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts
Nora Eccles Harrision Museum of Art, Utah State University, Logan, UT
Philadelphia Museum of Art
San Jose Museum of Art
Museum of Modern Art
The National Gallery
Portland Museum of Art
San Francisco Museum of Modern Art
UCLA Armand Hammer Museum
Whitney Museum of Art
Yale University Art Museum

Professional Experience

2003
Visiting Artist, San Francisco State University, San Francisco, CA
Senior Lecturer, Undergrad Program, California College of the Arts, San Francisco, CA
2002
Senior Lecturer, Graduate Program, California College of the Arts, San Francisco, CA
2001
Guest Lecturer, University of California at Berkeley, Berkeley, CA
2000 to Present
Graduate Dept. Studio Practice Instructor, California College of the Arts, San Francisco, CA
1997 to Present
Guest Lecturer, California College of the Arts, San Francisco, CA

Laurie Reid