Allyson Strafella at The Print Center in New Typographics: Typewriter Art as Print
posted: 5/8/19
New Typographics: Typewriter Art as Print features work by artists who use the typewriter as a matrix for forming text into image. Typically referred to as typewriter “art” or typewriter “drawings,” this exhibition posits that artworks created with a typewriter should be recognized as prints, in light of the mechanism and process of their production. Includes work by Lenka Clayton, Dom Sylvester Houédard, Gustave Morin, Elena del Rivero, James Siena and Allyson Strafella. Through July 27, 2019 at The Print Center.
Sharka Hyland acquisition and exhibition at the Weatherspoon Museum of Art
posted: 2/16/19
Sharka Hyland's drawing Thomas Wolfe, Of Time and the River (ch. IV) has been acquired by the Weatherspoon Museum of Art's Dillard Collection of Art on Paper. Hyland's drawing is currently on view in Art on Paper 2019: The 45th Exhibition, at the Weatherspoon Museum of Art through May 9, 2019.
Christine Hiebert at the Morgan Library & Museum
posted: 2/3/19
Contemporary approaches to drawing are often experimental and expansive. By absorbing and building upon the legacy of avant-garde experimentation in the first half of the twentieth century, artists from the 1950s to the present have pushed beyond the boundaries of traditional draftsmanship through their use of chance, unconventional materials, and new technologies. By Any Means brings together about twenty innovative works from the Morgan’s collection, including many recent acquisitions, by artists such as John Cage, Sol LeWitt, Vera Molnar, Robert Rauschenberg, Betye Saar, Gavin Turk, Jack Whitten and Christine Hiebert. Through May 12, 2019.
New publication of drawings by Christine Hiebert
posted: 11/28/18
Christine Hiebert: Line and Field is a new publication produced by the artist and Gallery Joe. The book is an overview of Christine Hiebert's recent drawings and some work from the last decade. The book highlights interconnections between her approaches to drawing with the abstract gestural line, in works on paper and on the wall.
