Philadelphia, PA

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Mark Sheinkman

Sutton
2011
oil, alkyd and graphite on paper
40 x 30 inches

Please contact the gallery for a complete updated resume.

MARK SHEINKMAN

b. New York, NY, 1963

Education

1985 B.A. Princeton University, Princeton, New Jersey

Solo Exhibitions

2011
Von Lintel Gallery, New York, NY
2010
Holly Johnson Gallery, Dallas, TX
Steven Zevitas Gallery, Boston, MA
2009
Museum Gegenstandsfreier Kunst, Otterndorf, Germany
Von Lintel Gallery, New York, NY
2008
Some other streets in the Bronx, Fruehsorge Galerie, Berlin, Germany
Mark Sheinkman: Drawing in Space, Grand Rapids Art Museum, Grand Rapids, MI
2007
New Work, Von Lintel Gallery, New York, NY
Gallery Joe, Philadelphia
2006
von Lintel Gallery, New York
2005
OSP Gallery, Boston, MA
Kemper Museum of Contemporary Art, Kansas City, Missouri
Fruehsorge Galerie, Berlin, Germany
Gallery Sora, Naha, Japan
2004
von Lintel Gallery, New York
2003
Gallery Sora, Naha, Japan
2002
von Lintel Gallery, New York
2001
von Lintel and Nusser, New York
2000
Lannan Foundation, Santa Fe, New Mexico
1999
Galerie von Lintel & Nusser, Munich, Germany
1998
Thomas Healy Gallery, New York
S65 Gallery, Aalst, Belgium
1997
Galerie Thomas von Lintel, Munich, Germany
Berggruen and Zevi , London, England
Studio Trisorio, Naples, Italy
Lawing Gallery, Houston, Texas
1996
Morris-Healy Gallery, New York
1995
Gina Fiore Salon, New York
1993
Information Gallery, New York
1989
Paula Allen Gallery, New York

Selected Group Exhibitions

2013
All Black, Gallery Joe, Philadelphia, PA
Approaching Infinity: The Richard N. Green Collection of Contemporary Abstraction, Crocker Art Museum, Sacramento, CA (catalog)
2012
Papier/Paper II, Kunstgaleriebonn, Bonn, Germany
Paper Band, Jason McCoy Gallery, New York, NY
2011
Dean Smith and Mark Sheinkman, Gallery Joe, Philadelphia, PA
100 Years/100 Works of Art, Grand Rapids Art Museum, Grand Rapids, MI
Drawn/Taped/Burned: Abstraction on Paper, from the Sally & Wynn Kramarsky Collection. Katonah Museum of Art, Katonah, NY
2010
Back and Forth: Celebrating Five Years, Holly Johnson Gallery, Dallas, TX
The Esprit of Gestures: Hans Hartung, Informel and Its Impact, Kupferstichkabinett (National Collection of Drawings & Prints), Berlin, Germany
Eraserhead, Fruehsorge Contemporary Drawings, Berlin, Germany
Prints by Gallery Artists, Gallery Joe, Philadelphia, PA
2009
Leaded: The Materiality and Metamorphosis of Graphite, Palmer Museum of Art, The Pennsylvania State University, University Park, Pennsylvania (last stop of traveling exhibition)
New York. El papel de Las ultimas vanguardias, Museo de Arte COntemporaneo Esteban Vicente, Segovia, Spain.
Deuce, Hamish Morrison Galerie, Berlin, Germany
On, Of or About: 50 paper works, Texas State University Gallery, San Marcos, Texas
Curvilinear, Gallery Joe, Philadelphia, PA
2008
Modern and Contemporary Art from the Allen Memorial Art Museum Collection, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Delinineation, Holly Johnson Gallery, Dallas, Texas
Leaded: The Materiality and Metamorphosis of Graphite, Western Gallery, Western Washington University, Bellingham, WA January 14 2008 - March 09 2008, traveled to Salina Art Center, Salina, KS; Baum Gallery of Fine Art, University of Central Arkansas, Conway, AR; Art Museum of South Texas, Corpus Christi, TX
Drawings from the Permanent Collection, Figge Art Museum, Davenport, Iowa
2007
Leaded: The Materiality and Metamorphosis of Graphite, University of Richmond Museum, Richmond, Virginia
Monoprints, Pace Prints, New York
New Prints 2007/Spring, International Print Center, New York
2006
Exquisite Abstraction, Whitespace Gallery, Atlanta
Hauptsache, Fruehsorge Galerie, Berlin
On Line, University Art Gallery, Sonoma State University, Rohnert Park, California
Action Precision, Lennon Weinberg Gallery, New York
Gridlock, Gallery Joe, Philadelphia, PA
Conversations, Ambrosino Gallery, Miami
2005
Patterns and Grids, Pace Prints, New York
New Editions, Pace Prints, New York
2004
Moving Outlines, Contemporary Museum , Baltimore, Maryland
Minimal Forms, Balerie Dionisi, West Hollywood, California
Transit: Abstracting the Sytem, City Gallery at Chastain, Atlanta, Georgia
2003
Graphite and Paper, Gallery Joe, Philadelphia, PA
Comme ça, Houldsworth, London, England
Selection of Contemporary Drawings,The Metropolitan Museum of Art, New York, NY
No Chaser, Post Los Angeles, California
Paper, Hosfelt Gallery, San Francisco, California
2002
Zebedee Jones and Mark Sheinkman, Houldsworth, London, England
Eye in the Sky: Vision of Contemporary Abstract Drawing, OSP Gallery, Boston, Massachusetts
Color, Sandroni Rey Gallery, Venice, California
The Fall Line: Intuition and Necessity in Contemporary Abstract Drawing, OSP gallery, Boston, Massachusetts
_Zenroxy
, von Lintel Gallery, New York
2001
It’s a wild party and we are having a great time, Paul Morris Gallery, New York
Concentrations IV: Drawings from the Collection of The Old Jail Art Center, The Old Jail Art Art Center, Albany, Texas
I Love NY, von Lintel Gallery, New York
Affinities, Anita Friedman Gallery, New York
Re:Drawing, Kenise Barnes Gallery, Larchmont, New York
Layered, Anita Friedman Gallery, New York
Hot, von Lintel and Nusser, New York
2000
A Decade of Collecting: Recent Acquisitions of Prints and Drawings 1940-2000, Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Black and White, Anita Friedman Gallery, New York
Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Lyman Allyn Art Museum, New London, Connecticut
Block Art Museum, Northwestern University, Evanston,Illinois
The Contemporary Art Museum, Honolulu, Hawaii
1999
Die Kunst der Linie-Möglichkeiten des Graphischen, Landesgalerie Oberösterreich, Linz, Austria
Mark Sheinkman , John Zinsser, Art Resources Transfer, New York
One by One: Painting versus Drawing, Galerie von Lintel & Nusser, Munich, Germany
Group Exhibition, Art Resources Transfer, New York
Drawing is Another Kind of Language:Recent American Drawings from a New York Private Collection, Fonds Regional d’Arte Contemporain, Museé de Picardie, Amiens, France
Parrish Art Museum, East Hampton, New York
1998
Large-scale Drawings from the Collection of Wynn Kramarsky, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Identity Revealed: Meaning and Message in Contemporary Art, Ackland Art Museum, Chapel Hill, North Carolina
Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina
Einblick, Galerie Thomas von Lintel, Munich, Germany
Drawing is Another Kind of Language:Recent American Drawings from a New York Private Collection, Kunstmuseum, Winterthur, Switzerland, Kunst-Museum
Ahlen, Ahlen, Germany, Akademie der Künst, Berlin, Germany
Skin Deep, 123 Watts Street Gallery, New York
Drawings, Graham Gallery, New York
1997
Four Americans, Figure Gallery, Turin, Italy
Recurrence and the Work of Art, Gallery Korea, New York
Sommer, Galerie Thomas von Lintel, Munich, Germany
Drawing is Another Kind of Language:Recent American Drawings from a New York Private Collection, Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Emerging, Radix Gallery, New York
Graphite on Paper, Galerie Thomas von Lintel, Munich, Germany
1996
The Rational World, Kohn Turner Gallery, Los Angeles, California
Works On Paper, Baldwin Gallery, Aspen, Colorado
On / In / Through, Morris-Healy Gallery, New York
Four Collectors, Century Club, New York
Size Matters, Special K Exhibitions, West Hollywood, California
On Paper II, Schmidt Contemporary Art, St. Louis, Missouri
Works on Paper, Curt Marcus Gallery, New York
An American Eye, Gallerie le Carré, Lille, France
1995
Works on Paper, The Berkshire Museum, Pittsfield, Massachusetts
Fact, Artrax Gallery, New York
1994
The New York Collection, The Albright-Knox Museum, Buffalo, New York
modus operandi, Leonora Vega Gallery, New York
1993
Big Art, Billboard installation in downtown Atlanta, Georgia
1992
XXXIII Exhibition, The Parrish Art Museum, Southampton, New York
More Than a Group Show, Art-in-General, New York

Public Collections

Palmer Museum of Art, The Pennsylvania State University, University Park, PA
Hite Art Institute, University of Louisville, Louisville, KY
Museum of Modern Art, New York, NY
Metropolitan Museum of Art, New York, NY Whitney Museum of American Art, New York
National Gallery of Art, Washington, DC
Museum of Fine Arts, Houston, Texas
Cleveland Museum of Art, Cleveland, Ohio
Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Yale University Art Gallery, New Haven, Connecticut
Weatherspoon Art Gallery, Greensboro, North Carolina
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Ackland Art Museum, Chapel Hill, North Carolina
Davison Art Center, Wesleyan University, Middletown, Connecticut
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska
The Old Jail Art Center, Albany, Texas
Bibliotheque Nationale, Paris, France
Figge Art Museum, Davenport, IA
St. Louis University Museum of Art, St. Louis, MO
Museum Gegenstandsfreier Kunst, Otterndorf, Germany
Kupferstichkabinett, Museum of Prints and Drawings, State Museum of Berlin

Select Bibliography

Lodermeyer, Peter, “Papier / Paper II,” Kunstgaleriebonn, Bonn, Germany, exhibition catalog, 2012
von Schoenebeck, Gudrun, "Zeichnungen und mehr: Acht Künstler in der Kunstgaleriebonn," General Anzeiger, June 21, 2012
Goodman, Wendy, "Great Room," New York Magazine, November 28, 2011
Newhall, Edith, "infusing useful objects with unexpected identities," The Philadelphia Inquirer, April 17, 2011
Park, Megan, "Mark Sheinkman and Dean Smith," Philadelphia Weekly, March 17, 2011
"Spotlight: Mark Sheinkman and Dean Smith Take On Graphite", Huffington Post
100 Years/100 Works of Art: Introduction to the Collection of the Grand Rapids Art Museum, exhibition catalogue
Schick, Dr. Ulrike, “When Drawing Becomes Painting While Representing the Ephemeral”, Museum Gegendstandfreier Kunst, catalogue, 2009
Isham, Michelle, “‘Leaded’ makes its mark”, Centre Daily Times, September 18, 2009
Finch, Elizabeth, “New York/New Drawings, 1946 - 2007”, Exhibition catalogue, Museo d’arte contemporaneo Esteban Vincente, 2009
Lafont, Isabel, “Una privilegiada ventana con vistas a las vanguardias”, El Pais, January 28, 2009
Rafferty, Rebecca, “Making marks,” City Newspaper, January 28, 2009
Bauer-Vonderwarft, Zacharias, “Bei Frühsorge: Mark Sheinkman hämmert im Hirn," Die Welt, January 24, 2009
Reese, Dr. Elizabeth B., "Getting creative with the common," Corpus Christi Caller-Times, December 4, 2008
Cash, Stephanie. “Mark Sheinkman at Von Lintel.” Art in America. March 2008.
Demuth, Gary, “More than just drawing,” Salina Journal, March 28, 2008
Kozlowski, Andy. “Leaded,” Art Papers. January/February 2008.
Amy, Michael, "Mark Sheinkman: Drawing with Light,” Exhibition catalogue, October, 2007
Taylor, Robert, “Pencil me in for current Bedford exhibit,” Contra Costa Times, October 25, 2007
Giovannini, Joseph, “Bold Gesture in New York,” Architectural Digest, April, 2007
Newhall, Edith, “Extending Boundaries of Drawing: Mark Sheinkman and Annabel Daou exhibit at Gallery Joe,” The Philadelphia Inquirer, January 12, 2007
Fallon, Roberta, "Editor's Pick: Mark Sheinkman Drawings, Annabel Daou Book of Hours," Philadelphia Weekly, January 17, 2007
Fox, Catherine, “Exquisite Abstraction show at White Space is Smart and Satisfying”, The Atlanta Journal-Constitution, December 31, 2006
Newhall, Edith, “Gridlock minus Road Rage," The Philadelphia Inquirer, July 7, 2006
Keller, Maximillian, “Aus den Galerien-Galerie Fruehsorge, Mark Sheinkman," Die Welt, May 23, 2005
Kaufman, Gina, “On Your Mark, The Kemper gets physical," The Pitch, March 16, 2005
Thorson, Alice, “Sheinkman’s abstracts embrace both logic and enigma," The Kansas City Star, February 13, 2005
Williamson, Lisha, “Mark Sheinkman’s Way." University News, February 7, 2005
Edelman, Robert, “Mark Sheinkman: Between Gesture and Void," Kemper Museum Catalog, January, 2005
Miller, Andrew, “Line ‘Em Up, Mark Sheinkman works to the point of abstraction," The Pitch, January 14, 2005
Sweet, Kimberly, Black & White," The Kansas City Star, January 12, 2005
Cullum, Jerry, “Intriguing interjections in a century-long dialogue", Atlanta Journal-Constitution, May 30, 2004
Renzi, Jen, “Blue Chip," Interior Design, August, 2003
Sherman, Mary, “Open Studio Press tries new `Line' of work," The Boston Herald, January 12, 2003
McQuaide, Cate, “Meticulous Meditations on the Abstract," The Boston Globe, January 3, 2003
Johnson, Ken, “Art Guide, Zenroxy," The New York Times, December 20, 2002
Gonzales, Manuel and Forde, J.A., “Unframed: Artists Respond to AIDS," 2002
Johnson, Ken, "Art Guide, Mark Sheinkman," The New York Times, March 23, 2001
Sauerbier, S.D. "Zeichnen-Zeichen zeigen," minimal-concept Zeichenhafte Sprachen im Raum. 2001
Landi, Ann, "Drawing Is Another Kind of Language," Artnews, December 1999
Sheets, Hillarie, "The Syntax of Drawing, From Old and New Alike," Newsday, October 1,1999
Amy, Michael, " Mark Sheinkman at Thomas Healy" Art in America, December 1998
Glueck, Grace, "Art Guide, Mark Sheinkman," The New York Times, March 27, 1998
Turner, Grady T., "Up Now, Mark Sheinkman," Artnews, April, 1998
Nahas, Dominique, "Mark Sheinkman," Review, March 15, 1998, Volume 3, Number 12
Zimmer, William, "Matters of Scale, and of Nostalgia Too" The New York Times, March 8, 1998
Glueck, Grace, "Large Scale Drawings from the Collection of Wynn Kramarsky," The New York Times, April 24, 1998
Landi, Ann, "On the Edge, Mark Sheinkman, The Eraser," Art News, September 1997
Trione, Vincenzo, "Sheinkman, poetic obsession," Il Mattino, July 26, 1997
Landi, Ann, "Site Specifics," Art News, April 1997, p.118
Athineos, Doris, "When Kramarsky Talks Collectors Listen: What kind of Art Does the Man Who Sold the World’s Most Expensive Painting Collect?" Forbes Magazine, November 18, 1997
Paparoni, Dimetrio, "Redefined Abstraction," Tema Celeste, Autumn 1997
Melrod, George, "Special Report: Contemporary Art - New York City," Art and Antiques, Summer 1996
Schmerler, Sarah, " Mark Sheinkman," Time Out New York, June 26, 1996
Shimony, Jonathan, "New York Art Scene II," art vision, Winter 1995

Mark Sheinkman

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